24 Hour Sketch

The last day of the "24 Hour Sketch - Halloween" series.

Let me put it this way, bigger is not always better. This is 8.5x11. Most of you 24 Hour Sketch "fanatics" may not know that the majority of the drawings here are on 2.5x4 sheets. Truthfully, I'm not too fond of this. Though some might say, "this is good." I'll agree but I can't shake one thing. It didn't turn out like I wanted it to. A lot of it was improvised and with that I'll let you figure out how this drawing is different from the photo. I wasn't trying to make it photo realistic so I don't really care that it's different. It's the way it's different that bugs me.

Anyhow, taking a photo of this was tricky. Graphite tends to reflect a lot of light, and this awesome yellow light in the room doesn't provide for a soft flood. I ended up taking the picture with no light, save for what sun was coming in through the window and over exposed it through filt…

Day 13 of the "24 Hour Sketch - Halloween" series. And what was supposed to be the last day of the Halloween series ending with the unlucky #13 is not. Seems I have the unfortunate inability to count days on a calendar.

So here he is, the masked killer from the Halloween series, "Michael Myers".

Check back tomorrow, I've got a special treat for some of you die-hards out there. I just hope I do the subject matter some justice. It's a band dear to my heart, and in my opinion the quintessential icons of horror.

Day 12 of the "24 Hour Sketch - Halloween" series. BEWARE! This is the scariest of them all! It's a kurticature request! For those of you who don't know Kurt… this is Kurt.

Day 11 of the "24 Hour Sketch - Halloween" series.

Day 10 of the "24 Hour Sketch - Halloween" series. "Heeeere's Johnny!"

Day 9 of the "24 Hour Sketch - Halloween" series.

Day 8 of the "24 Hour Sketch - Halloween" series.

I really should have taken a series of photos to show this work "in-progress". Working with color, for me, is so different and strange. One thing I kept in mind was to make layers. I had recently talked with an extraordinary painter about how she worked with colors, "layer" she said. So layer I did.

I used 4 different pencils in this drawing, graphite, cadmium and crimson, and yellow.

The first layer was like any of my drawings in that I formed the subject. After which I lightly colored her in. The second layer again was like my graphite drawings in that I started the shading. This might have been premature but I did that shading light enough that it worked out. However that's not to say the shading should be done last. In this case, and the type of medium I used, I found it helpful to a layer of color on top of the shade.

When I realized that I should stop with the black, I started shading with the…

Day 7 of the "24 Hour Sketch - Halloween" series.

There is some unfinished business here, in the drawing as well. Today, I'm alright with that.

Day 6 of the "24 Hour Sketch - Halloween" series. PSYCHO!!!

It's one thing to look at a photo of someone screaming for their life but to sit down and attempt to capture that in a drawing is in a whole different playing field. It's f-ing creepy. Albeit this is an actress and she ended up being just fine. But right here and right now I'm giving props to Janet Leigh. She tapped into something. Her eyes have absolute terror in them and the drawing is really missing that. I just could not capture it. Maybe partially but not wholly.

I'm also gonna add here that my least favorite thing about this Halloween series is that most, if not all, of the drawings I'm doing are from recognizable photos. And I've butchered every single face yet. It's absolutely terrifying!

Day 5 of the "24 Hour Sketch - Halloween" series. From their house to yours.

Initially, I was going to only draw the faces. Once that was done I didn't like it. As you can see the face sizes are out of proportion and some are done better than others. In an attempt to tie it all together I drew in the rest, or rather scribbled in the rest. It turned out okay.

Day 4 of the "24 Hour Sketch - Halloween" series. This wouldn't be complete without "The Crow". So I'm paying a little tribute to Brandon Lee here.

I wanted to do this quickly. My guess, and I'm no art history major, is this would fall under the umbrella of post-impressionistic. I say this due to the concentration of form and lines. The jacket is simplified to represent just what it is. And in fact was the first thing I sketched out. The face is a concentration on light/shadow and form. Using the edge of the pencil I quickly worked in the shadows and made things darker as I saw fit. This is not saying I didn't use any line. Obviously you can look at the drawing and see line was used. I tried to use a technique my mother told me just yesterday to geometrically shape the face and then with those constraints work in the curves. My understanding of this is through triangulation (a drafting term).

I chose to make this simplified due to the fact that I d…

Day 3 of the "24 Hour Sketch - Halloween" series. The original ripoff, Count Orlok.

Day 2 of the "24 Hour Sketch - Halloween" series. Who is Ol' Frankie without his bride?

So, here's the deal, the perspective is skewed. I had to work with this for a few minutes to make her look a little less "off". Otherwise I'm happy with it. Keep checking in, it's only gonna get spookier folks! Man I wish I could insert a Vincent Price laugh sound clip right here!

Day 1 of the "24 Hour Sketch - Halloween" series. Who better to kick this off right then the king of monsters himself?

It's a friggin' banana! How hard could it possibly be? This is what I told myself before drawing this. I was so wrong.

I've done it before and I'm doing it again! Only this time I'm letting the whole world see it. That is, it is available for the whole world to see it. Anyway, it's a huge pet peeve of mine, and when I say pet peeve I really mean I loathe it when an artist draws someone famous and the drawing fails to look like the subject. But here I have done it. I'll say for saving grace that I wasn't feeling in the mood to draw and every time I got a moment to make a line I was interrupted. I can't say it's not expected; I was at work. Anyway, the first person to guess who this famous person is wins! I'll send you the original or redraw it and send that, your choice.

Here's looking at you cool kid!

Bringing back the red. This was done on black paper with white charcoal. I brought in the smudge sticks to blend the tones together which is what I should have done on yesterday's sketch. I need to practice but I'm a little intimidated when I sit down with this type of drawing. With time that will change, so keep coming back; it's only gonna get worse folks!

So the photo is from somebody who does smoke art. Google it, it's pretty cool stuff. When I sat down to draw this I knew I wanted to do it on black paper. I've never been able to make anything look good on black paper. So needless to say I knew this was going to be a learning experience and I didn't have much for expectations. Secondly, I knew I needed to use a variety of gray tones. I own but have never used my gray pastels. Hell, I've never even used pastels. Again, this was going to be a learning experience. Thirdly, because of the black paper and larger pastel medium, I knew this drawing was going to have to be bigger than the previous 24 Hour Sketches. It's 9"x12". I got nearly done, and not wanting to go too far and ruin the drawing I decided to put fixative on it. That ruined it. It turned splotchy and I could actually see some of the tones disappearing. I waited for it to dry and went back over it. One cool thing about drawing over the fixative is…

This one is all about the stroke, I know at least three people who are taking that out of context. And now everyone is.

The sketch is minimal, used only a pencil and I ran it through a levels filter to pull out the black and white and this is what I got. I also accidentally put a stress line through the paper. "Terrific!", I said.

With ACL this weekend I decided that it was only too appropriate to pay homage and respect to the music by drawing a 24 Hour Sketch as such. I really like how this turned out. I actually felt capable the entire way through. No doubts about where the drawing was going entered my mind. From preliminary outlining to the dark strokes I had my intention set and executed it perfectly. Even the burst of light turned out the way I wanted. It's raw and poetic, just the way I prefer my music. Forgive the confidence, I don't mean to come off sounding cocky, I really am proud of this one.

So before I drew this I was looking up realist artists. I'm talking about paintings that look like photographs, color and all. It inspired me. I know it can be done with just graphite but how to do it is beyond me. I'm stuck on technique. But for what it's worth this drawing did turn out alright. Just not as "alright" as I wanted it to be.

7 weeks doesn't sound like a long time. Even looking back at 7 weeks it doesn't seem like a long time. Looking forward 7 weeks doesn't seem too long. But when I say 49 days, that holds some weight. Even more so when I think how it's been 1176 hours, holy shit! All in all it's pretty cool that I've been keeping it up this long. Anyway, this one looks good though I do wish I had my 6B with me to darken in some spots. The feet in the photo were hidden by the shadow and I just couldn't get it dark enough. It kind of looks like he's got short legs.

Here's one for all those cool cats out there.

I'm not gonna whine about this one. It's complex and interesting (the photo). This drawing rendition doesn't look exactly like the photo; I improvised on a lot of it. If it wasn't for my 6B graphite pencil to make all those dark spots I don't think this would have turned out so well. Cheers!

My wife tells me this picture is a big Pinterest hit. What else can I do but to try and drive some blog views by tapping into an already hot commodity? And now all of you get to, through some minor sleuthing, compare a drawing of mine to it's origin. I'll also add that this is the first 24 Hour Sketch to implement graphite pencils with varying hardness: HB, 2B, 4B, and 6B. Have a good weekend.

So I had a red pencil lying around…

On another note: Apparently I can't draw a leaf. I'll just "leave" that up to you. Tell me, this means comment, do you think I can draw a leaf? The poll begins now!

Here it is. It was a busy day, which was good, but not good for sketching. I rushed into this one to try and get one in for the day and it turned out pretty good. Tell me what you think. If you have any problems with leaving a comment I apologize on behalf of google. I know they have their best peeps on the job, being that I'm such an important client and all.

I've been thinking about doing this one for about a week or so. Honestly, been kind of scared of it. I didn't have a very good copy of the photo and like the condensed breath of the wolf before this explosion of chalk had me wondering how I would draw it. Nonetheless, I am digging the fine lines and detail I was able to extract from this. I was surprisingly less meticulous about finding every detail and just worked with what I could see. If you take a look at the hands, for instance, they are done with the utmost respect to minimalism. I learned so much from this sketch that by the time I got around to the chalk bits, I didn't worry too much about it. Just worked with what I could see, what looked good, and what made sense. This drawing might be a record breaker, not that I'm keeping stats, with a draw time of about 1 hour. My only complaint is I should have spent more time darkening the background so as to make the image pop a little more. You may be wondering, "…

I don't know what I got myself into today. This one was hard and I really simplified it. Other than the fact that the woman you see through the glass looks completely different than the woman outside of the glass, I like it. The funniest part of all this is that I thought it would be great practice on refraction. I didn't even notice the reflection on the table until half way through! In addition, if you've been reading the blog at all, at least within the past couple days, I mentioned a technique to achieve a white line on white paper. Further more, this technique does not require me to be overly conscious of the line; I don't have to ride the edge of the line with my pencil. I didn't use it everywhere, but used it quite a few times. And I got to tell you, I haven't perfected it yet, but it works pretty good. It's a simple process of scoring. A great example is the fine line indicating the top of the glass vase running through the hair.

Back to focus. Today, I had to remind myself of the importance of forming before drawing. Luckily, I did this before I started. It's so much easier to detail once that is done. Eventually I hope to just start without the reminder. Don't hold your breath.

So, I think it tuned out alright. A little misshapen here and there but mostly pretty good. The wrist bugs me. It should bug you too. In fact you should be so bugged by it that you feel inclined to leave a comment like, "Dammit, fix the &:):@/@-$;@ wrist!"